The Forest at Rest: Kabini’s Off-Season
Published on: 16/02/2026
Photo title: Elephant in the mist
|Photo Credits: Gowri Subramanya
“What’s the best time to visit the park?” is an important question in the checklist of an enthusiastic wildlifer. You want to maximise the chances of seeing the Top 5 on your list; you hope for the best visibility and weather conditions, and as much assurance against unforeseen disruptions to your plan as possible.
When I first began visiting Kabini, summer was almost always offered as the sensible answer to that question. Clear skies, open views, and predictable movement along the river made it feel like the season of certainty. Elephants, not just from Nagarahole, but the adjacent regions gathered near the backwaters, making it the largest elephant congregation in Asia and perhaps a spectacle like no other in the world. Moreover, with the dry, tattered undergrowth revealing the forest to its depths, sightings could be anticipated. It is reassuring to feel that one knows where to look and what to expect. I learnt Kabini, at first, through that clarity.
But familiarity has a way of expanding curiosity. I wanted to know Kabini beyond its most legible moments across seasons, light, and weather. Sightings mattered, of course, but the desire to know the forest as an integral whole, shaped as much by rain and fog as by clear skies and open views, meant that I took my chance on the rainiest weekends and cold winters, fully anticipating washed-out safari drives without so much as a flutter from a leaping Langoor.
What I did not expect was how strangely intimate yet mysteriously distant a forest feels when you are enveloped in fog or when curtains of rain cover everything but the green hanging leaves closest to you. You also notice the forest feels deep and vast, but appears fragmented to your senses. You can see an outline of the canopy merging into a mass of grey in bright white fog, but a deer that crosses your path is only visible in parts.
In these conditions, attention shifts. When sight is limited, listening takes over. The forest sounds layered and deliberate; rain tapping leaves at different heights, insects filling the air with a steady hum, distant calls travelling farther than expected. Even the vehicle seems to move more gently, not out of necessity, but because speed feels out of place here. Waiting is no longer about anticipation of something definite, but about staying with what unfolds.
It is often in these quieter moments that the forest’s depth becomes palpable. A roller perched on a fallen log may appear insignificant at first glance, but in the rain and fog, it carries weight. Beneath the apparent quiet runs a constant undertone of life, buzzing, shifting, active in ways that are sensed more than seen. There was a lone elephant we stumbled on, realising his presence only until we could trace the arc of his trunk jutting out of the fog, and we almost jumped out of our skins, both in excitement and fright. The tusker, however, munched on his breakfast, indifferent to our intrusion. The famously poor eyesight of elephants might serve even worse on bleak mornings, perhaps?
Photo title: Foggy morning in Kabini
|Photo Credits: Gowri Subramanya
On another such foggy morning, we rumbled gently along the backwaters, seeing nothing but a dull silvery screen drawn from the sky to the edge of the water. I was tickled by the idea that we could be standing a few metres away from an entire herd of elephants enjoying a cold bath, or a tiger standing in the open, looking straight at us, and we would have no idea! Oh, to be so close and not know. But it also meant that the wispy layer, however thin, made the perfect invisibility cloak for all creatures, predator and prey – maybe to relax and breathe easy, or to be more alert against ambush. Just as my senses felt these contradictions, the forest denizens, too, must see fog and rain as a double-edged blade.
Rain, I feel, is universally a respite for both predator and prey. Unlike fog, it does not seem treacherous, only inconvenient. On a rainy monsoon evening, our driver revved the engine slightly as we got onto the main road leading to the gate. It was getting dark and pouring, and there was little sense in hanging around. But the jungle would prove him wrong. Probably for the thousandth time. The jeep screeched a little as it came to a halt, and right there by the side of the road, in lush abundance of lantana, was a leopardwith eyes half-shut, forced by the relentless rain into complete stillness, clearly against its will. I say this with confidence because I have not seen a leopard’s face more clearly articulating how much he did not want to be there. I lifted my camera because this was clearly a golden opportunity for a close-up portrait. Except it wasn’t. Pumped up the ISO all the way, with the widest aperture possible. But the shutter speed read: one-fifth of a second. I took the shots anyway. An incorrigible trait wildlifers have is that you never stop hoping. The sullen-looking leopard continued to look unimpressed. So was I, with the blurred rosettes that occupied my LCD screen. The image did not come through, but the mental picture of that leopard has stayed with me since. As an outsider who can only afford to visit the wilds a few days a year and tends to romanticise the forest scenes, the encounter left me grounded in reality.
So if you ask me now, what is the best time to visit Kabini, I’d say summer, for the certainty and to be awed by the majestic elephants along the water. That is an experience you must have if you have never known Kabini in any form. But if you have had the luxury of visiting more than once, consider the “off-season”. There’s very little “off” about it. And you will likely return with your senses of perception significantly enlivened.
Gowri Subramanya
Gowri Subramanya is an editor and learning consultant based in Bengaluru, India. Writing and photography are her chosen tools of creative expression and the wilderness is her muse. A keen observer of the interaction between nature and culture, she loves to explore the history as well as the natural history of new places during her travels. With a soft spot for bird songs and a weakness for flowers, she indulges in a healthy dose of tree gazing every morning.
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