Tracing the Ramayana Trail in Hampi
Published on: 10/06/2024
Photo title: Carvings depicting scenes from the Ramayana at the Hazara Rama Temple
|Photo Credits: Vikram Nanjappa
Austere yet awe inspiring, excellent yet enigmatic, the magnificence of Hampi is magical to say the least. A UNESCO world heritage site, Hampi is an open-air museum and the erstwhile the capital city of the Vijayanagar empire. Spread over a whopping 4000 hectares, Hampi’s rich monuments which include temples, royal complexes, gateways, stables, enclosures, forts and tanks are sheer poetry in stone. According to history, this capital city around the 1500 AD was the second largest city in the world. A picture of grandeur and a standing symbol of a glorious past, Hampi is arguably one of the most popular tourist destinations not only in Karnataka but across India as well.
While Hampi is a favourite with history and culture buffs, many of its monuments have immense religious significance and are intrinsically associated with the Ramayana and with Lord Hanuman. In fact, the archways, temple and pillars of Hampi bear innumerable carvings and inscriptions related to Lord Rama and Hanuman coupled with scenes from the Ramayana. In fact, Hampi is probably one place where the depiction of the monkey God Hanuman out numbers that of all other Gods.
Lord Rama’s Quest for Sita
According to popular belief and folklore, Kishkinda, referenced in the Ramayana as the kingdom of the monkey God, Sugriva is located in Hampi. As per the Ramayana, when Goddess Sita was abducted by Ravana, Lord Rama and his brother Lakshmana came to Kishkinda (present day Hampi) in search of her. It was here that they met Hanuman who took them to his chief Sugreeva. Sugreeva led them to a cave which had Sita’s jewels which she left behind before departing to Ravana’s Lanka.
The region of Kishkinda which is located across the Tungabhadra River is also called Anjeyanadri Hill or Anjanadri betta and is believed to be the birthplace of Lord Hanuman. An extremely scenic paradise, the hill is accessible via a flight of 550-600 steps. It offers stunning views of the surrounding river, lush green rice fields and banana plantations. There is a temple dedicated to Lord Hanuman at the summit. There is also a shrine of Lord Rama and Goddess Sita in the temple. Rishimukha hill in Hampi is believed to be the place where Lord Rama and Lakshmana met Hanuman and the cave where Sita’s jewels were found is located on the banks of the river on the way to the Vittala temple.
Matanga hill which is the highest point in Hampi and a perfect one to view sunrises and sunsets is also intrinsically connected with the Ramayana. Once known to be the hermitage of saint Matanga, it is here that Sugreeva took refuge and protected himself against his rival Vali. Vali was killed on the arrival of Lord Rama in Kishkinda and Sugreeva was crowned as the king of monkeys. Incidentally, the Pampa Sarovar Lake which is located on the road to Anegundi from Hospet is believed to be the place where Shabari, an ardent devotee of Lord Rama met the latter and directed them to Kishkinda. A disciple of Guru Matanga Rishi, Shabari lived in the ashram of her Guru in the place presently called Matanga Parvat in Hampi.
Photo title: Ravan - Hazara Rama Temple
|Photo Credits: Vikram Nanjappa
Temples Galore
Hampi also has several temples dedicated to Lord Rama. The Malyavanta Raghunathaswamy temple is one such temple located on the summit of the Malyavanta hill where Rama and Lakshmana took shelter during the monsoon before heading to Lanka. The temple is built in the typical Vijayanagar style of architecture and has a sanctum, vestibule and a large pillared pavilion. It is situated about three km from Kamalapur.
The Kodanda Rama temple located on the banks of the Tungabhadra River is again one of the most important monuments of Hampi and houses large idols of Rama, Sita and Lakshmana. This historic temple is believed to be the spot where Lord Rama crowned Sugreeva as king of the monkeys. It is built in a style that has traces of Hoysala and Dravidian style of architecture.
The Hazara Rama temple is yet another key point of interest in Hampi and is located in the core zone of the Royal enclosure. This 15th century temple dedicated to Lord Rama is known for its intricately carved friezes that depict scenes from the Ramayana. The narrative sculptures are in three tiers and run all around the shrine. The story of Lava and Kusha is also depicted in the sculptures.
Situated about 2 km from the Virupaksha temple is the Yantrodharaka Hanuman temple which is a highly significant temple due to the fact that it was built by the great Dwaita philosopher Sri Vyasaraja Thirtha. In fact, this the first of the many installations of Lord Hanuman by the great saint. The monkey God is depicted sitting in a meditative pose and the idol is confined within a hexagonal amulet. It is believed that the renowned Yantrodharaka Hanuman Stotram was written here.
Rashmi Gopal Rao
Rashmi Gopal Rao is a freelance writer and travel-lifestyle blogger from Bangalore. She writes on travel, food and decor. Apart from visiting the tourist attractions of a place, she loves to venture out exploring the 'unconventional' and the 'uncommon'. Learning about the unique customs and culture of a place, interacting with the locals and sampling the local and authentic cuisine is always on her "to-do" list while travelling. A strong advocate and supporter of responsible and sustainable tourism, she blogs at http://rashminotes.com/ and tweets at @rashminotes.
The Tiger of the Skies: An encounter with the Peregrine Falcon
Butterfly Safari in the Western Ghats: a possibility? - Part 2
A Photographer’s Guide to the Central Kalahari Game Reserve - Light, dust, dramatic skies and the art of capturing desert wildlife
Butterfly Safari in the Western Ghats: a possibility?
Desert Bones and Dust Trails: Reading the Kalahari’s Ancient Ground
Life in the Sands: The Surprising Riches of the Kalahari
Peek into Coorg’s Culture at Madikeri’s Government Museum
The Kalahari in Miniature: What You Miss When You Only Look for Big Game
Anegundi’s quiet empire of women: the banana-fibre story
Little Feet, Ancient Rhythms: Young Keepers of the Kodava Culture
Water, Wildlife, and the Art of Waiting in the Kalahari
Tracking Wildlife: What the Sand Tells You in the Kalahari
Singing of confluences, tangible and intangible
Strange Encounters: What We See and What We Miss
Water, Stone, and Empire: Reading Vijayanagara in the Evolve Back Kamalapura Palace
The Unusual Suspects: Creatures You Didn’t Expect in the Kalahari
The Ultimate Family Safari: Multigenerational Travel in Africa Creates Unforgettable Bonds
Locking Horns: An Afternoon with the Other King
The Arboreal By-lanes of Coorg: A Street Photographer's Foray into Bird Photography
Lone Warrior: An Encounter with the Grey-headed Fish Eagle
Under the Kalahari Sky: A Journey Through Africa’s Night Sky
Reptilian Sibilances, Mollusc Stillnesses, Fern Rustlings
Sri Purandara Mantapa: A hall that echoes the raagas of devotion
Cultural Extravaganza: Kodava Music & Dance Forms
The Kalahari Skies: An Everchanging Canvas of Colour
The San People of the Central Kalahari Game Reserve: Guardians of an Ancient Culture
Anegundi: ‘Monkey Business’ in the ‘Elephant Pit’
African Wild Dogs - one of Africa's most captivating carnivores and most endangered species
Discovering the Brown Hyenas of the Central Kalahari Game Reserve
An Aural Journey through Nagarahole: The Sound of Life
Five Wildlife Sightings You Can Expect Without Going on Safari
Into the Valley of Deception: The Central Kalahari Game Reserve
The Cup That Cheers: The Changing Taste of Coffee
Craft Calling: Traditional Lambani Arts and Crafts and the Sandur Kushala Kala Kendra
An Aural Journey through Nagarahole: The Language of Deception
An Aural Journey through Nagarahole: The Sound of Tardiness
Taking Terrific Photos on Safari: Getting the Trophy Shot
Adapt and Survive: Reaching the Pinnacle of Specialisation
Into the night – nocturnal life in the Kalahari
An Aural Journey through Nagarahole: The Seen and the Sawing
Hampi Ruins in the 1900s: Stellar Photographs From A Forgotten Historical Text
Touring Kabini with Your Eyes Closed: An Aural Journey through Nagarahole: Alarms True and False
North Karnataka’s Threesome — Badami, Aihole, & Pattadakallu
Hampi Ruins in the 1900s — The Gateways into the City
A Lone Porcupine fights off an entire pride of Lions!
The cute little denizens of the Kamalapura Palace, Hampi
From the Kitchens of Evolve Back – Jallad Roti | Akki Roti
From the Kitchens of Evolve Back – Qubani ka Meetha and Shahjahani ka Meetha
From the Kitchens of Evolve Back – Murgh-e-Lazeez
From the Kitchens of Evolve Back – Nizami Machali ka Salan
From the Kitchens of Evolve Back – Dum ki Nalli
From the Kitchens of Evolve Back – Anapa Ginjala Pulusu
An Aural Journey through Kabini: Pre-Dawn Critters and Jitters
From the Kitchens of Evolve Back – Raan-e-Kamalapura
From the Kitchens of Evolve Back – Baghara Baingan
From the Kitchens of Evolve Back – Natukodi Pulusu
From the Kitchens of Evolve Back – Tondekai Palya
From the Kitchens of Evolve Back – Royala Igaru
From the Kitchens of Evolve Back – Koli Chuttada
From the Kitchens of Evolve Back – Karibelle Cutlet
The Battle of Talikota and the Sacking of Hampi
From the Kitchens of Evolve Back – Kori Ghee Roast
Ten Interesting Facts About the Kalahari Desert
From the Kitchens of Evolve Back – Vazhachundum Thoran
From the Kitchens of Evolve Back – Mezze Platter
From the Kitchens of Evolve Back – Grilled Pork Ribs
An Aural Journey through Kabini: The Beginnings
Harihara & Bukka: founders of the Vijayanagara Empire
From the Kitchens of Evolve Back – Pazham Puzhungiyathu
From the Kitchens of Evolve Back – Peppercorn chocolate mousse
From the Kitchens of Evolve Back – Kabsah Laham Bis
From the Kitchens of Evolve Back – Vazhakanda Thoran
From the Kitchens of Evolve Back – Banana Bajji
From the Kitchens of Evolve Back – Pazham pori
From the Kitchens of Evolve Back – Joojeh – e – Koobideh
From the Kitchens of Evolve Back – Vegetable Kurma
From the Kitchens of Evolve Back – Pandi Curry
From the Kitchens of Evolve Back – Kerala Fish Curry
Nalknad Palace – off the beaten track in Coorg
Designing the Sidapur Coffee and Culture Museum
Why you should put a backwater boat safari at the forefront of your Kabini visit – 2
Why you should put a backwater boat safari at the forefront of your Kabini visit – 1
Chikka Veerarajendra of Coorg and his Thirteen Wives
The Architecture of Ainmanes: Form follows Function
Kodava Ainmanes – the heart of the Kodava Clan
From the Kitchens of Evolve Back – Sutta Sigadi Mathu Hannugalu
From the Kitchens of Evolve Back – Masala Raagi Cheela
From the Kitchens of Evolve Back – Tandoori Zaffrani Paneer & Tandoori Phool
From the Kitchens of Evolve Back – Tumbida Ginnu
From the Kitchens of Evolve Back – Raagi Mudde Bassaru
From the Kitchens of Evolve Back – Hurida Meke Mamsa
From the Kitchens of Evolve Back – Masala Hoo Kosu
From the Kitchens of Evolve Back – Kuruba Adina Saru
From the Kitchens of Evolve Back – Sutta Naati Koli
From the Kitchens of Evolve Back – Savatekayi Suttadu
From the Kitchens of Evolve Back – Kendadali urida sigadi mathu meenu
From the Kitchens of Evolve Back – Bidirinalli Beyisida Koli
From the Kitchens of Evolve Back – Hurida Koli
First glimpse of god – the Black Panther of Kabini
The Battle of Raichur: The Beginning of the End